This paper focuses on the 12th-century Byzantine scholar Michael Glykas and the two main pillars of his multifarious literary production, Biblos Chronike and Letters, thoroughly exploring for the first time the nature of their interconnection. In addition to the primary goal, i. e. clarifying as far as possible the conditions in which these two works were written, taking into account their intertextuality, it extends the discussion to the mixture of features in texts of different literary genre, written in parallel, by the same author, based on the same material. By presenting the evidence drawn from the case of Michael Glykas, the paper attempts to stress the need to abandon the strictly applied taxonomical logic in approaching Byzantine Literature, as it ultimately prevents us from constitute the full mark of each author in the history of Byzantine culture.

中文翻译：

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并行编写字母和计时码表：以迈克尔·格莱卡斯（Michael Glykas）的字母集和12世纪的Biblos Chronike为例

本文的重点是12世纪的拜占庭学者迈克尔·格莱卡斯（Michael Glykas）以及他多元化文学创作的两个主要支柱，《毕布鲁斯·克雷尼克（Biblos Chronike）和莱特斯》（Letters），这是首次彻底探讨它们之间的相互联系的本质。除了主要目标，即在考虑到文本互文性的基础上，尽可能澄清两部作品的写作条件之外，它还将讨论扩展到不同文学体裁的文本的混合特征中，即：同一作者，基于相同的材料。通过提供从迈克尔·格莱卡斯（Michael Glykas）案中得出的证据，本文试图强调在接近拜占庭文学时必须放弃严格应用的分类逻辑，