A study is a subcategory of drawing in which an artist tests elements that may not be worked out with the full clarity of a finalized composition. When such sketches depict fragments of bodies or forms in freefall with no contextualizing ground, they may, in hindsight, and with an awareness of the fate representations suffered during episodes of iconoclasm, look like depictions of images that have been attacked. Yet understanding these drawings as part of the process of making rather than as reminders of dismantlement encourages an appreciation to the range of theological possibilities afforded by views of figures that are incomplete or that fail to follow laws of pictorial orientation. This essay considers the syntactical laxity found in such studies against the scrutiny of biblical grammar publicly exercised by Martin Luther and Andreas Karlstadt, for whom word order, conjunctions and modifiers were essential to understanding the meaning of scripture.

中文翻译：

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改革时期绘图的未组装语法

研究是绘画的一个子类别，其中艺术家测试可能无法以最终构图的完全清晰度来制定的元素。当这样的草图描绘自由落体的身体或形式的碎片时，没有背景基础，事后看来，他们可能会意识到在偶像破坏事件中遭受的命运表征，看起来像是对受到攻击的图像的描绘。然而，将这些图画理解为制作过程的一部分而不是拆除的提醒，可以鼓励人们对不完整或未能遵循图片取向规律的人物的观点所提供的神学可能性范围进行鉴赏。