Abstract:This article proposes an approach to the processes of making, circulating, and receiving melodramas in verses known as "novelas en décimas." Published in low-cost brochures and written by popular poets, residents of cities and towns, these stories of impossible love between rich and poor invaded rural and urban homes in the mid-twentieth century. In these stories and their social uses we find new possibilities to think about the functioning of popular commercial advertising, the role of popular sectors before mass culture, and the relationship between print and radio. To explore these complex dialogues in the next few pages we will perform diverse operations, which range from the analysis of the novel Amores Montaraces to the secrets of a local poet to construct his melodramas. Finally, we will focus on reflecting, in a general way, on the characteristics of the reception of the brochures.

中文翻译：

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古典小说：鹰嘴豆科，流行情节和回忆录（古巴，1938年至1959年）

摘要：本文提出了一种在称为“ novelas endécimas”的经文中制作，传播和接受情节剧的方法。这些廉价出版物出版，并由流行诗人，城镇居民书写，这些富人与穷人之间不可能的爱情故事在二十世纪中叶入侵了农村和城市家庭。在这些故事及其社会用途中，我们发现了新的可能性，可以考虑流行的商业广告的功能，大众文化之前的流行部门的作用以及印刷与广播之间的关系。为了在接下来的几页中探索这些复杂的对话，我们将执行各种操作，从分析小说《爱茉莉·蒙塔拉切斯》到当地诗人的秘密来构建他的情节剧。最后，我们将专注于反思，