Abstract:This article presents a theoretical approach derived from a research project focused at a historical reconstruction of the record production in Medellín's discographic industry during the 1960s. Drawing from Diana Taylor's concept of archive and repertoire, the author coins a new concept, the "inapprehensible archive," which might be useful to analyze cultural practices of listening and of aesthetic enjoyment built around activities of collecting artifacts of massive cultural production. By defining a new concept, the article proposes a theoretical model that aims to contribute to study other similar cases, as well as to make explicit some principles that would guide the development of a line of research that explores in depth the historical evolution of the city's sound archive.

中文翻译：

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不可思议的事情：工业革命之父

摘要：本文提出了一种研究方法的理论方法，该研究方法致力于1960年代麦德林唱片业唱片生产的历史重建。作者从戴安娜·泰勒（Diana Taylor）的档案和曲目概念中汲取灵感，提出了一个新概念“无法理解的档案”，这可能有助于分析围绕收集大规模文化产物的活动建立的听觉和审美享受的文化习俗。通过定义一个新概念，本文提出了一种理论模型，旨在为研究其他类似案例做出贡献，并明确阐明一些原则，这些原则将指导研究工作的发展，以深入探讨城市历史的演变。声音存档。