Adamjee, Q. (2011) Strategies for Visual Narration in the Illustrated Chandayan Manuscripts (Unpublished doctoral dissertation). New York: New York University. Ansārullāh, Muhammad (1996) Čandāyan. Patna: idārah-yi Tahqīqāt-i Urdū [in Urdu]. Bangha, i. (2018) ‘The emergence of Hindi Literature: From the Transregional Maru Gurjar to Madhyadeśī Narratives’. in T. williams, J. Hawley & A. Malhotra (eds), Texts and Traditions in Early Modern North India (pp. 3–39). New Delhi: oxford University Press. Gupta, M.P. (ed.) (1967) Čāndāyan: Dāūd-viračit pratham hindī sūfī prem-kāvya [Chandayan: The First Hindi sufi Romance, composed by Daud]. Agra: Pramanik Prakashan. Gupta, P.L. (1964) Maulānā Dāūd Dalmaī kŗt Čandāyan: Mūl pāth, pāthāntar, tippanī evam  khojpūrna sāmagrī [Chandayan. Composed by Maulana Daud of Dalmaī: Text, variants, Notes and Research Material]. Bombay: Hindi Granth Ratnākar. Losty, J.P. (1982) The Art of the Book in India. London: The British Library. Pellò, s. (2014) ‘Local Lexis? Provincialising Persian in Fifteenth-Century North india’. in F. orsini & s. sheikh (eds), After Timur Came (pp. 166–85). Delhi: oxford University Press.

中文翻译：

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书评：威廉·威尔逊·亨特爵士，孟加拉 MS 唱片公司

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