Abstract The reference to the rising and setting of the sun to indicate the unceasing duration of an action becomes a τόπος in Latin poetry from an influential distich of Cinna onwards, which was reworked a number of times in Augustan poetry. As well as Vergil and Horace, who adapt the model to different genres and occasions, the treatment of it by the elegists is interesting, in whom the two terms that define East and West are set in relation to the eternity of poetic renown. This transformation may go back to Gallus, to whom Ovid, above all, makes significant references. The numerous occurrences of the τόπος in different authors and genres make possible interesting comparisons.

中文翻译：

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Te veniente die, te decedente canebat: il τόπος del mattino e della sera tra neoterismo e poesia augustea

摘要 提到太阳的升起和落下以表示一个动作的持续持续时间，从一个有影响力的辛纳 (Cinna) 开始，拉丁诗歌中的 τόπος 在奥古斯都诗歌中多次改写。以及使模型适应不同体裁和场合的维吉尔和霍勒斯，法学家对它的处理也很有趣，在他们看来，定义东方和西方的两个术语都与诗歌名望的永恒相关。这种转变可能会追溯到加卢斯，奥维德最重要的是对其进行了重要参考。τόπος 在不同作者和体裁中的大量出现使得有趣的比较成为可能。