In the light of the material turn in the Humanities some aspects of Julio Cortázar’s (1914–1984) work become very evident today as a laboratory of the future. For Cortázar, reading was a transforming impulse, part of a process of liberation from mental ties to which he contributed as an author, challenging the barrier between the fantastic and the real, the limit between the human and the animal, between the living and the inert. Thus, as a critic on blind Modernity, Cortázar, from his stories, questions anthropocentrism in a gesture that in the current crisis of the Anthropocene could not be more topical. Moreover, while he supported the transformation of people’s material conditions of life in Latin America, he innovated and celebrated literature in intermedial texts that are the decanted result of a creative performance, embedded in the strongly transcultural context of a diaspora that was first voluntary and then became exile.

中文翻译：

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Julio Cortázar 文学中的物质性——重读“Axolotl”、“No se culpe a nadie”和年鉴书籍

鉴于人文学科的物质转向，胡利奥·科塔萨 (Julio Cortázar)（1914-1984）作品的某些方面今天变得非常明显，作为未来的实验室。对 Cortázar 而言，阅读是一种转变的冲动，是他作为作家所贡献的从精神联系中解放出来的过程的一部分，挑战了幻想与现实之间的界限、人与动物之间的界限、生者与现实之间的界限。惰性。因此，作为盲人现代性的批评者，科塔扎尔从他的故事中，以一种在当前人类世危机中再没有比这更热门的姿态来质疑人类中心主义。此外，在他支持拉丁美洲人们物质生活条件的转变的同时，他在中间文本中创新和颂扬文学，这些中间文本是创造性表演的醒目结果，