Jung's study centres on the amplification of pictures painted by a woman patient and posits their sequence as evincing the initial stages of the individuation process. His text performs a dialogue with its audience whereby Jung persuades us of this truth, and also reveals Jung's dialogue with his patient and with his own ideas. The present paper revisits the clinical material first with a focus on the interaction between Jung and his patient. The second part compares the 1940 and 1950 versions of Jung's study with attention to tensions that traverse them, such as Jung's attitude to the animus and his two voices as a practitioner and a theorist.

中文翻译：

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曼荼罗中的蛇：荣格《个体化过程中的研究》的对话方面

荣格的研究集中在放大一位女性患者所画的图片，并将它们的顺序假定为证明个体化过程的初始阶段。他的文本与听众进行了对话，荣格通过这种对话说服了我们这个真理，同时也揭示了荣格与他的病人和他自己的想法的对话。本文首先回顾了临床资料，重点是荣格和他的病人之间的互动。第二部分比较了荣格研究的 1940 年和 1950 年版本，并关注贯穿其中的张力，例如荣格对敌意的态度以及他作为实践者和理论家的两种声音。