Using transmediality as an approach to analyse the use of symbols in Anglo-American protest culture during the 1760s and 1770s sheds new light on the process of creating ideological alliances and the making of meaning. In the same way written text created a shared realm of ideas even as they were read and reinterpreted in accordance with different political and social contexts, visual templates, for example in carricature, also featured as points of reference. Relating these images to performances of protest and objects from a material culture of revolution brings together forms of resistance that have previously been examined separately. Arguably, by using a shared arsenal of symbolism protesters identified with an imagined community that in reality was never socially or politically coherent.

中文翻译：

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抗议的跨媒体性：不列颠大西洋的表演性抗议文化和政治漫画，1760-1780

使用跨媒体性作为分析 1760 年代和 1770 年代英美抗议文化中符号使用的方法，为创建意识形态联盟和意义的形成过程提供了新的视角。以同样的方式，书面文本创造了一个共享的思想领域，即使它们根据不同的政治和社会背景被阅读和重新解释，视觉模板，例如漫画，也作为参考点。将这些图像与抗议的表演和来自革命物质文化的物体联系起来，将以前单独研究过的抵抗​​形式结合在一起。可以说，通过使用象征主义抗议者的共享武器库，他们认同一个想象中的社区，而这个社区实际上从未在社会或政治上保持一致。