Abstract The Book of the Wild Rose is Carl Jonas Love Almqvist’s (1793–1866) masterpiece. The two different editions of this ”book” cover most of his literary career, from the early 1830’s to his hasty departure from Sweden in 1851. The elaborate use of a frame fiction, which confers a self-reflecting metafictional quality to the whole, allows the author to collect a large part of his writings. The fascinating and elusive personality of Almqvist as a writer seems to vanish behind the extreme variety and richness of his work. My aim is to present a reading inspired by the literary discourse analysis of French pragmatic linguist Dominique Maingueneau, which focuses on the frame fiction in The Book of the Wild Rose in order to show the presence of the author facing the reader in different ways in the text.

中文翻译：

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Jaktslottet ochTörnrosensbok：Paratopi och scenografi hos C. J. L. Almqvist

摘要《野玫瑰之书》是卡尔·乔纳斯·洛夫·阿尔姆奎斯特（Carl Jonas Love Almqvist，1793–1866年）的杰作。从1830年代早期到1851年他从瑞典匆匆离开瑞典，这本“书”的两个不同版本涵盖了他大部分的文学生涯。对框架小说的精心运用，赋予了整体的自我反省的虚构小说质量，作者收集了大部分著作。阿尔姆奎斯特（Almqvist）迷人而难以捉摸的性格似乎在他作品的极端多样性和丰富性之后消失了。我的目的是根据法国语用语言学家多米尼克·美因格瑙（Dominique Maingueneau）的文学话语分析来呈现一种阅读方式，该阅读重点在于《野玫瑰之书》中的小说框架，以显示作者以不同方式面对读者的存在。文本。