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Politicising the Manhwa Representations of the Comfort Women: with an Emphasis on the Angoulême International Festival Controversy
East Asia ( IF 1.2 ) Pub Date : 2019-03-01 , DOI: 10.1007/s12140-019-09307-9
JeongWon Bourdais Park

This article discusses the nexus between comics, collective historical memory and politics in the context of the contemporary relationship between Japan and South Korea by examining the graphic manhwa narratives dealing with the memories of comfort women that were exhibited during the Angoulême Comics Festival in France in early 2014. With a theme of ‘memories of war and gendered violence’, commemorating the centennial of the outbreak of the First World War, the event that accommodated a special exhibition for Korean manhwa attracted controversy because of its political nature, drawing heavy media attention and sparking public debate and diplomatic quarrels. Adding academic depth to this cultural and diplomatic clash by linking the concepts of soft power foreign policy and cultural citizenship, this paper investigates what made the cultural event politically tainted and how the politicisation debate between the two countries escalated throughout the event. Existing studies on soft power foreign policy often leave the core contents of the ‘soft’ part unexplained. This article, in contrast, explores the current limits of accommodating cultural expressions of historical memories through an in-depth analysis of the exhibited artworks and the two countries’ nationalised soft power diplomacy. It argues that both governments’ direct and indirect intervention in the cultural realm nurtured irreconcilable cultural representations in this particular theme and genre of cultural representation under the current research.

中文翻译:

将慰安妇的漫画形象政治化:以昂古莱姆国际艺术节争议为重点

本文通过研究早期在法国昂古莱姆漫画节上展出的处理慰安妇记忆的漫画叙事,讨论了在日本和韩国当代关系背景下漫画、集体历史记忆和政治之间的关系。 2014. 以“战争与性别暴力的记忆”为主题,纪念第一次世界大战爆发一百周年,举办韩国漫画特别展览的活动因其政治性质引起争议,引起媒体的高度关注和关注。引发公众辩论和外交争吵。通过将软实力外交政策和文化公民的概念联系起来,为这种文化和外交冲突增加学术深度,本文调查了是什么让这场文化活动在政治上受到玷污,以及两国之间的政治化辩论如何在整个活动中升级。现有关于软实力外交政策的研究往往对“软”部分的核心内容没有解释。相比之下,本文通过对展出的艺术品和两国国家化软实力外交的深入分析,探讨了当前容纳历史记忆的文化表达的局限性。它认为,在当前的研究中,两国政府对文化领域的直接和间接干预在这一特定主题和文化表征类型中孕育了不可调和的文化表征。现有关于软实力外交政策的研究往往对“软”部分的核心内容没有解释。相比之下,本文通过对展出的艺术品和两国国家化软实力外交的深入分析,探讨了当前容纳历史记忆的文化表达的局限性。它认为,在当前的研究中,两国政府对文化领域的直接和间接干预在这一特定主题和文化表征类型中孕育了不可调和的文化表征。现有关于软实力外交政策的研究往往对“软”部分的核心内容没有解释。相比之下,本文通过对展出的艺术品和两国国家化软实力外交的深入分析,探讨了当前容纳历史记忆的文化表达的局限性。它认为,在当前的研究中,两国政府对文化领域的直接和间接干预在这一特定主题和文化表征类型中孕育了不可调和的文化表征。通过对展出的艺术品和两国国有化软实力外交的深入分析,探讨了当前容纳历史记忆的文化表达的局限性。它认为,在当前的研究中,两国政府对文化领域的直接和间接干预在这一特定主题和文化表征类型中孕育了不可调和的文化表征。通过对展出的艺术品和两国国有化软实力外交的深入分析,探讨了当前容纳历史记忆的文化表达的局限性。它认为,在当前的研究中,两国政府对文化领域的直接和间接干预在这一特定主题和文化表征类型中孕育了不可调和的文化表征。
更新日期:2019-03-01
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