ABSTRACT This paper investigates Egyptian digital forms of satirical graphics mostly published on Social Media by cartoonists and amateurs after the Arab Spring. These include webcomics memes, and Graphic Interchange Format (GIF). The paper will focus on two Facebook pages as a case study: Asa7be Sarcasm Society and Islam Gawish's Elwarka/The Paper. With this aim in mind, I will show how these forms of political satire incorporate, cinema, theatre, religion, western elements and pan-Arabism to express a political view in a creative manner to appeal to a more diverse and broad audience. The first part of the paper provides a brief discussion of Arabic/Egyptian satire with specific reference to political cartoons and Egyptian youth activism on social media (specifically Facebook). It will also introduce the concept of satirical graphics and some of its concrete applications. The second part describes the methodology and provides an analysis of the case study.

中文翻译：

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阿拉伯之春后社交媒体上的埃及讽刺图片

摘要本文研究了阿拉伯之春后埃及漫画家和业余爱好者主要在社交媒体上发布的讽刺图形的埃及数字形式。这些包括网络漫画模因和图形交换格式（GIF）。作为案例研究，本文将重点关注Facebook的两个页面：Asa7be Sarcasm Society和Islam Gawish的Elwarka / The Paper。出于这个目标，我将展示如何将这些形式的政治讽刺，电影，戏剧，宗教，西方元素和泛阿拉伯主义融合在一起，以创造性的方式表达政治观点，以吸引更多不同的受众。本文的第一部分简要讨论了阿拉伯/埃及讽刺，特别提及社交媒体（特别是Facebook）上的政治漫画和埃及青年激进主义。它还将介绍讽刺图形的概念及其一些具体应用。第二部分介绍了方法，并对案例研究进行了分析。