ABSTRACT As film is a form of communication that has the potential to reach and affect large audiences internationally and most films have male directors, studying what female directors communicate in their films is important. This paper therefore conducts close readings of the films of Julie Lopes-Curval using Hélène Cixous’ l’écriture feminine or French feminism. The films are Bord de mer, Toi et moi, Mères et filles, and le Beau monde. The readings consider characters, plot, dialogue, settings, and visuals to describe how the films communicate female perspectives and concerns, follow the écriture feminine plot, subvert conventional men’s language, and communicate femininity and female sexuality. Some particularly innovative aspects of the films are the use of multiple female characters to communicate that all women are different, realistic cinematography to emphasise that events shown could be real, comparisons of abusive and supportive male communication, and a visual that breaks the male gaze.

中文翻译：

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在使用朱丽叶·洛佩斯·库瓦尔（Julie Lopes-Curval）的电影中使用l'écriture女人味来传达女性的观点和关注

摘要由于电影是一种传播形式，有可能影响并影响国际上的广大观众，而且大多数电影都有男导演，因此研究女导演在电影中交流的内容很重要。因此，本文使用赫勒·希克斯（HélèneCixous）的“ l'écriture”女性或法国女性主义对朱莉·洛佩斯·库瓦尔（Julie Lopes-Curval）的电影进行了仔细的阅读。影片有Bord de mer，Toi et moi，Mèreset filles和le Beau monde。这些读物考虑人物，情节，对话，场景和视觉效果，以描述电影如何传达女性的观点和关注点，遵循女性主义的女性情节，颠覆传统的男性语言以及传达女性气质和女性性行为。电影的一些特别创新的方面是使用多个女性角色来传达所有女性都是不同的，