The study of literary anonymity and pseudonymity outside of our existing disciplinary infrastructure raises a variety of questions for book history scholars. How can we study areas of print culture not organized in terms of the relationship between authors and texts, and/or resisting such organization altogether? How can our analyses progress critical debates arising from our existing author-centered perspective without naturalizing that perspective and projecting it onto the past? This article describes how the ongoing digitization of print cultural records, and new methods for accessing and analysing digitized documents, brings to our bibliographic attention not only thousands of new works, but thousands of titles without authors. Using a case study of serial fiction in nineteenth-century Australian newspapers, it articulates a new conceptual and methodological framework for exploring literary anonymity and pseudonymity not predicated on authorship.

中文翻译：

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数以千计的没有作者的书名：数字化报纸、连载小说和匿名的挑战

在我们现有的学科基础设施之外对文学匿名和假名的研究向书史学者提出了各种各样的问题。我们如何研究没有根据作者和文本之间的关系组织起来的印刷文化领域，和/或完全抵制这种组织？我们的分析如何推进由我们现有的以作者为中心的观点引起的批判性辩论，而又不自然化这种观点并将其投射到过去？本文描述了印刷文化记录的持续数字化以及访问和分析数字化文件的新方法如何不仅使我们的书目关注数以千计的新作品，而且还会引起数以千计没有作者的标题。以 19 世纪澳大利亚报纸的连载小说为例，