In positioning myself at the intersection of development (support) communication, postcolonialism, and poststructuralism, I suggest that understanding the derivativeness of the postcolonial nation provides us with the appropriate context to grasp the economic evolution of development paradigms and formation of national and communitarian/communal subjectivities in the postcolonial world. I employ postcolonial derivativeness of the nation as a device in the allegorical deconstruction of the discourse of development and (de)construction of community through the analysis of a popular song penned by the Indian poet and singer, Goreti Venkanna in Telugu, his native language as well as mine.

中文翻译：

---

Palle Kanneeru Pedutundo（我的​​村庄正在流下眼泪）：后殖民民族主义派生形式的次要批评

在将自己定位于发展（支持）交流，后殖民主义和后结构主义的交集时，我建议理解后殖民国家的衍生性为我们提供适当的背景，以掌握发展范式的经济演变以及民族和社区/社区的形成。后殖民世界中的主体性。通过分析印度诗人和歌手格鲁蒂·文卡纳（Goreti Venkanna）在泰卢固语中写的一首流行歌曲，他将民族的后殖民派生性用作寓言解构发展话语和（解构）社区的手段，他的母语是和我的一样。