One of the most remarkable exhibitions in the 13th Dak'art Biennale, “The Bell of the Ants,” was not part of the official program, but rather an independent show mounted by the long-time Dakar-based collective “Laboratoire Agit'Art.” This essay offers a historically-grounded analysis of the relationship between the exhibition and the biennial at large, exploring tensions between the global and local aspirations and modern and contemporary formulations it embodies.

中文翻译：

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再次激动起来：达克艺术第十三届双年展上的实验室艺术大师阿吉特

第13届达克艺术双年展最杰出的展览之一“蚂蚁的钟”不是官方计划的一部分，而是由达喀尔历史悠久的集体“ Laboratoire Agit'Art”组织的独立展览。” 本文对展览与整个双年展之间的关系进行了历史性的分析，探讨了全球和本地愿望与所体现的现代与当代表达之间的张力。