This article attempts to read a number of contemporary Lebanese artists by using the Foucauldian-Deleuzian concept of regimes of visibility. The article shows how a specific aesthetical problematic pertaining to Post-War Lebanon unfolds in the electronic and digital regimes of visibility. Last, the article contrast the Lebanese artists with other artists operating in Europe and the U.S and propose other artistic strategies when dealing with the same regimes of visibility.

中文翻译：

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战后黎巴嫩的抵抗艺术

本文试图通过使用Foucauldian-Deleuzian可见度体系的概念来阅读许多当代黎巴嫩艺术家。文章显示了与战后黎巴嫩有关的特定美学问题如何在可见度的电子和数字形式下发展。最后，本文将黎巴嫩艺术家与在欧洲和美国经营的其他艺术家进行了对比，并提出了在处理相同可见度问题上的其他艺术策略。