Abstract Like the generation connected with the Lisbon-based journal Orpheu, the group connected with the journal Presença also embraced satire comfortably and understood it as one of the components that most accentuates the critical dimension of the artist’s multifaceted personality. In this article, which seeks to fill a void in the studies of the Presença group, I assert that their satire is one of the processes through which the personality of the poet is revealed in confrontation with the world and with others. But satire and satiric notes are also expressions of the dialogical alterity of an egotistical I-poet with his Id and his Superego (Freud). The satire of José Régio and Miguel Torga is a force that comes from a person conscious of his uniqueness and of his will to impose the sovereignty of his psychic voice on reality or on a sometimes imposing hyper-reality.

中文翻译：

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A sátira na poesia da Presença

摘要 与里斯本期刊 Orpheu 相关的那一代人一样，与 Presença 期刊相关的这一代人也轻松地接受了讽刺，并将其理解为最能突出艺术家多面个性批判维度的组成部分之一。在这篇试图填补 Presença 群体研究空白的文章中，我断言他们的讽刺是诗人在与世界和他人对抗时展现个性的过程之一。但是讽刺和讽刺笔记也是自我诗人与他的本我和他的超我（弗洛伊德）的对话他异性的表达。