Abstract The award-winning collection of stories by Cristina Fernández Cubas, La habitación de Nona (2015), focuses on the fear of difference that lurks within apparent normality. The title story features the classic Fernández Cubas strategy of a first-person narrator who imposes narrative authority and the view of normality, in tension with other characters’ perspectives that subvert the center of power. Drawing on the theoretical framework of Disability Studies, this essay analyzes how Fernández Cubas wields doubling, difference, and voices in “La habitación de Nona” to set up and subvert the able body as an unstable and mutable identity position. This approach departs from her treatment of disability in her inaugural story, “Mi hermana Elba.” In examining how society views and voices difference and disability as a social construct, Fernández Cubas critiques notions of normality and unveils the abject as the double that dwells within the self as well as the other.

中文翻译：

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关于加倍和残疾/能力：克里斯蒂娜·费尔南德斯·库巴斯（Cristina Fernández Cubas）小说中差异的声音和观点

摘要 Cristina Fernández Cubas 屡获殊荣的故事集 La haha​​bación de Nona（2015 年）着重于对潜伏在明显正常中的差异的恐惧。标题故事采用经典的费尔南德斯·库巴斯 (Fernández Cubas) 策略，他采用第一人称叙述者的策略，强加叙事权威和常态观，与其他角色的视角冲突，颠覆了权力中心。本文借鉴残疾研究的理论框架，分析了费尔南德斯·库巴斯如何在《诺娜居住地》中运用双重、差异和声音来建立和颠覆健全的身体作为不稳定和可变的身份位置。这种方法与她在就职故事“Mi hermana Elba”中对残疾的治疗不同。在研究社会如何将差异和残疾视为一种社会结构时，