Abstract Even though she was born in Tucumán, the Argentinian writer Elvira Orphée has been historically excluded from the so-called “literature of Tucumán.” This article addresses the issue by analyzing the way in which the province appears in Orphée’s emblematic novel, Aire tan dulce, published in 1966, as well as in her figure of an author, that self-image that every writer assigns simultaneously to her work. It underlines that, among other aspects, hatred and a derogative rejection of Tucumán converge with fascination and with her decision to use the province aesthetically and strategically in her narrative project.

中文翻译：

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Provincia y figura de autora en Elvira Orphée

摘要 尽管阿根廷作家埃尔维拉·奥尔菲 (Elvira Orphée) 出生在图库曼 (Tucumán)，但在历史上一直被排除在所谓的“图库曼文学”之外。本文通过分析该省在 1966 年出版的 Orphée 的标志性小说 Aire tan dulce 以及她的作家形象中出现的方式来解决这个问题，即每个作家同时赋予她的作品的自我形象。它强调，除其他方面外，对 Tucumán 的仇恨和贬损性拒绝与她的迷恋以及她在叙事项目中美学和战略性地使用该省的决定相结合。