Abstract This essay explores some of the strategies used by Carlota O’Neill in Romanzas de las rejas to create a narrative space of her own inside prison. These prose poems were written during her fourth year of captivity in the Victoria Grande Prison of Melilla, where she was taken when the Spanish Civil War broke out. O’Neill manages to elaborate a complex intertextual tapestry using texts from multiple sources that enter the Romanzas through quotations, allusions, and ekphrasis. This dense intertextual network masks the counter-discourse that lies underneath the poems, thus evading the demands of censorship and surveillance, and facilitates both the escape of the poetic voice and the incursion of the world that lies beyond the prison walls in the cell.

中文翻译：

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Entre rejas y entre textos: El proceso de creación de las Romanzas de las rejas o la conquista del espacio narrativo

摘要 本文探讨了卡洛塔·奥尼尔 (Carlota O'Neill) 在《罗曼萨斯·德·拉斯·雷哈斯》(Romanzas de las rejas) 中使用的一些策略来创造她自己的监狱内的叙事空间。这些散文诗是在她被关押在梅利利亚维多利亚格兰德监狱的第四年期间写成的，西班牙内战爆发时她被关押在那里。奥尼尔设法使用来自多个来源的文本精心制作复杂的互文挂毯，这些文本通过引文、典故和 ekphrasis 进入罗曼扎。这种密集的互文网络掩盖了诗歌背后的反话语，从而逃避了审查和监视的要求，并促进了诗歌声音的逃逸和牢房监狱墙外世界的入侵。