Abstract Bosnian-German writer Saša Stanišić’s debut novel, Wie der Soldat das Grammofon repariert (2006), is a transnational Bildungsroman that portrays a young male protagonist’s coming of age amidst the start of the Bosnian War and his family’s decision to seek refuge in Germany. Yet, despite the protagonist’s challenging circumstances, the author depicts tragedy through a comedic lens. Drawing on recent theories of narratology, multilingualism, migrant literature, trauma, humor, and popular culture, this article performs close readings of select passages to explore how Stanišić’s multilingual practice utilizes humor in order to narrate the protagonist’s development and his process of working through trauma.

中文翻译：

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“Grissgott”遇到“Kung Fu”：Saša Stanišić 的 Wie der Soldat das Grammofon repariert (2006) 中的多语言、幽默和创伤

摘要 波斯尼亚裔德国作家 Saša Stanišić 的处女作《Wie der Soldat das Grammofon repariert》（2006 年）是一部跨国成长小说，描绘了年轻男主人公在波斯尼亚战争开始和他的家人决定在德国寻求庇护之际的成长过程。然而，尽管主人公处境艰难，作者还是通过喜剧镜头描绘了悲剧。本文借鉴叙事学、多语言、移民文学、创伤、幽默和流行文化的最新理论，对精选段落进行了仔细阅读，以探讨斯坦尼希奇的多语言实践如何利用幽默来叙述主人公的发展和他在创伤中工作的过程.