studios or even recruited from among the filmmaking elite (briefly in the mid-1940s), meaning that they were responsible for both releasing films to fulfil the production plan, and delaying film releases to ensure artistic and ideological mastery. By patiently preparing the ground for four chapters before boldly reconceptualizing film censorship under Stalin, Belodubrovskaya succeeds in shifting the dominant paradigm of Soviet filmmaking history. Her counterintuitive insights make Not According to Plan both compelling and original. The cover is delightful too.

中文翻译：

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Filmexil Sowjetunion。Deutsche Emigranten in der sowjetischen Filmproduktion der 1930er und 1940er Jahre

制片厂甚至从电影制作精英中招募（简而言之在 1940 年代中期），这意味着他们既负责发行电影以完成制作计划，也负责延迟电影发行以确保对艺术和意识形态的掌握。Belodubrovskaya 在大胆地重新定义斯大林治下的电影审查制度之前耐心地为四章做准备，成功地改变了苏联电影制作史的主导范式。她违反直觉的见解使《不按计划》既引人入胜又新颖。封面也很讨喜。