ABSTRACT This study explores a key stage in Michaux’s poetry, in La Nuit remue. Agreeing with critical consensus, that this is his first major work, I nonetheless question the potency of certain texts in their effect upon the reader. If Michaux finds pleasure in the demiurgic power of writing — engendering the strange creatures that take form in language (highlighted through textual analysis at the phonetic level) — there is an equal tendency to sabotage the creative act. The blasé negativism infusing much of this work would not be problematic, were it not for the mission articulated by the poet himself: the creation of a therapeutic reading experience, lifting up those who are similarly overwhelmed by existence. Through a final series of readings, I propose that Michaux is most effective when significantly invested in the text—not coolly detached, but undergoing — and reacting against — the malevolent forces unleashed in the space of the poem.

中文翻译：

---

Michaux 的 La Nuit Remue 中的阳痿和命令

摘要 本研究探讨了米肖诗歌中的一个关键阶段，即 La Nuit remue。同意批判性的共识，即这是他的第一部主要作品，但我仍然质疑某些文本对读者的影响的效力。如果米修在写作的造物力量中找到乐趣——在语言中创造出奇怪的生物（通过语音层面的文本分析突出显示）——那么破坏创造性行为的倾向也是一样的。如果不是因为诗人本人所阐明的使命：创造一种治疗性的阅读体验，让那些同样被存在压倒的人振作起来，那么注入大部分作品的乏味否定主义不会有问题。通过最后的一系列阅读，我建议米肖在大量投入文本时最有效——而不是冷静地超脱，