Abstract Ever since the first instances of rap on French territory, the working-class banlieue has become one of its ‘common places’. However, there is nothing obvious and automatic about the way rap songs put forward representations of the marginal areas of French cities. Certain figures of speech seem to be recurring and, strangely enough, similarities appear between those representations of the banlieue and a set of narratives published since the late 1990s, which use the banlieue as a setting for their plots, and whose authors share with many rappers a personal familiarity with urban peripheries. Such similarities can be observed by comparing rap lyrics with novels and short stories published by a collective Qui fait la France? Nevertheless, rap can be distinguished from literary narratives by its uses of voices, bodies, and sound technologies which, in addition to their musicality, can reinforce its system of representations of the banlieue. This article undertakes to study the representations of the working-class banlieue in a corpus of French rap, through the lens of the similarities and differences with literary narratives about and from the banlieue.

中文翻译：

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Rap et récits « banlieusards »: enjeux de la représentation Fictionnelle des espaces urbains périphériques

摘要 自从在法国领土上出现第一次说唱活动以来，工人阶级的郊区就成为了其“常见场所”之一。然而，说唱歌曲表达法国城市边缘地区的方式并没有什么明显和自动的。某些修辞格似乎反复出现，而且奇怪的是，这些对班利埃的表现与自 1990 年代后期以来发表的一系列叙事之间出现了相似之处，这些叙述使用班利作为他们的情节背景，其作者与许多说唱歌手分享个人对城市周边的熟悉程度。通过将说唱歌词与由 Qui fait la France 集体出版的小说和短篇小说进行比较，可以观察到这种相似之处？然而，说唱可以通过使用声音、身体、和声音技术，除了它们的音乐性之外，还可以加强其对 banlieue 的表现系统。本文致力于通过与有关和来自班利埃的文学叙事的异同来研究法国说唱语料库中工人阶级班利埃的表现。