ABSTRACT

This article analyses Romy Schneider’s roles and performances in films depicting the rise of European totalitarianisms and the German Occupation of France during World War II. This small but significant corpus holds an important place in Schneider’s career in France as it was decisive in the shaping of her persona (i.e. a media construction) in the 1970s, capitalising on her own personal life and identity being split between Berlin and Paris. Her roles and performances in those films built an atemporal image of Schneider, whose photogeny, eroticisation and Germanness were (and still are) equated with vulnerability and tragedy.

中文翻译：

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美丽的受害者：法国职业电影中的罗密施奈德

摘要

本文分析了罗密施耐德在描绘欧洲极权主义兴起和二战期间德国占领法国的电影中的角色和表演。这个小而重要的语料库在施耐德在法国的职业生涯中占有重要地位，因为它在 1970 年代塑造了她的角色（即媒体构建），利用她自己的个人生活和身份在柏林和巴黎之间分裂。她在这些电影中的角色和表演塑造了施耐德的非时间形象，她的上镜、色情和德国性曾经（现在仍然）等同于脆弱和悲剧。