ABSTRACT

In her 2011 feature-length film, Elles, Malgorzata Szumowska demonstrates how cinematic auteurs may effectively establish a multisensory intersubjectivity between filmmaker, film text, and spectator that challenges traditional ways of looking and seeing. She effectively activates an ‘experiential gaze’ throughout the film and film-viewing experience that opens up new considerations concerning long-standing views on prostitution, victimization, power, sexuality, and agency in cinema and society. Aided by the iconic French actress Juliette Binoche’s sensuous performance, Szumowska materializes in the film’s aesthetics the experiential qualities of the senses to present new representations of femininity as ‘free’ and to question the relationships between subjects and their objective worlds.

摘要

在她 2011 年的长片Elles中，Malgorzata Szumowska 展示了电影导演如何有效地在电影制片人、电影文本和观众之间建立一种多感官的主体间性，从而挑战传统的观看和观看方式。她在整个电影和观影体验中有效地激活了一种“体验式凝视”，从而开启了关于卖淫、受害、权力、性以及电影和社会中的能动性的长期观点的新思考。在标志性的法国女演员朱丽叶·比诺什 (Juliette Binoche) 的感性表演的帮助下，Szumowska 在影片的美学中体现了感官的体验品质，以将女性气质呈现为“自由”的新表现，并质疑主体与其客观世界之间的关系。