ABSTRACT

This is the second article written from an investigation of the Opera-Dramatic Studio (1935–1938) unpublished files, held at the Moscow Art Theatre Museum between November 2017 and February 2018. In it, we try to present an analysis of some new aspects of Stanislavski’s preparation of the Studio’s faculty and his practice with the pupils. After a short introduction to the research, we present the period of the faculty’s preparation (Jun-Oct 1935) and the training work conducted with the pupils (Nov-Dec 1935). We analyse three aspects of Stanislavski’s practice during his last years: the étude, the physical actions and the subconscious moment, as a triple basic-training structure used in the preparation for the future work on the play and the role. To finish, we present a short conclusion the analysed material.

摘要

这是第二篇文章，摘自2017年11月至2018年2月在莫斯科艺术剧院博物馆举行的Opera-Dramatic Studio（1935年至1938年）未发布文件的调查。在本文中，我们尝试对一些新方面进行分析斯坦尼斯拉夫斯基（Stanislavski）对工作室教师的准备以及他与学生们的实践。在简短介绍研究之后，我们介绍了教师的准备阶段（1935年10月）和对学生进行的培训工作（1935年12月）。我们分析斯坦尼斯拉夫斯基过去几年的实践的三个方面：练习曲，身体动作和潜意识瞬间，将其作为三重基础训练结构，用于为戏剧和角色的未来工作做准备。最后，我们给出一个简短的结论，即所分析的材料。