ABSTRACT The Igorots, the indigenous communities in North Luzon, Philippines, continue to be hounded to this day, due to the countless photographs and documents whose ultimate purpose was to project the Igorots as the Other. Igorot representation, issues of commodification and cultural appropriation have been, in recent years, one of the most widely discussed sources of ethical problems. The prevalence of these issues indicates the continuing challenge in representing the Igorots. Given a colonial past of appropriation and stereotyping that persists to the present, I argue that representations of Igorot culture are highly contestable and undergoing change: these representations provide a venue for critical examination that permits a deeper awareness of Igorot culture. Colonial records serve as a repository of information that is valuable in restoring aspects of Igorot historical existence. These records are vital in re-examining how Igorots were represented in the past, and how these materials are used in popular modes of representation and recuperation of Igorot identity in the present. This contributes to the self-determination of the Igorots in the contemporary period. Today, modern Igorots often find ways of asserting aspects of their cultural identity, and they draw on their cultural memory as a people to sustain their enduring heritage.

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重新审视伊戈罗特的表征：商品化和文化挪用问题

摘要 菲律宾北吕宋岛的土著社区 Igorots 至今仍受到追捕，因为无数照片和文件的最终目的是将 Igorots 投射为他者。近年来，伊戈罗特代表、商品化和文化挪用问题已成为讨论最广泛的伦理问题来源之一。这些问题的普遍存在表明代表 Igorots 的持续挑战。鉴于殖民时期的挪用和刻板印象一直持续到现在，我认为伊戈罗特文化的表现是极具争议的并且正在发生变化：这些表现提供了一个批判性检验的场所，允许更深入地了解伊戈罗特文化。殖民记录作为一个信息库，对于恢复伊戈罗特历史存在的各个方面很有价值。这些记录对于重新审视过去伊戈洛特的表现方式，以及这些材料在当今流行的表现和恢复伊戈洛特身份模式中的使用方式至关重要。这有助于当代伊戈洛特人的自决。今天，现代伊戈洛特人经常找到方法来维护他们文化身份的各个方面，他们利用他们作为一个民族的文化记忆来维持他们持久的遗产。这有助于当代伊戈洛特人的自决。今天，现代伊戈洛特人经常找到方法来维护他们文化身份的各个方面，他们利用他们作为一个民族的文化记忆来维持他们持久的遗产。这有助于当代伊戈洛特人的自决。今天，现代伊戈洛特人经常找到方法来维护他们文化身份的各个方面，他们利用他们作为一个民族的文化记忆来维持他们持久的遗产。