ABSTRACT

Though largely forgotten today and still partly unpublished, the literary works of Estanislao Lluesma Uranga, a Spanish Republican who went into exile in Argentina in 1939, constitute a valuable contribution to testimonial literature, as well as an interesting example of cosmopolitan writing. Known mainly on account of his work in the field of medicine and his publications of a scientific nature, Lluesma Uranga also wrote several books of poetry, a play and a novel during his exile in Argentina. Closely tied to the Republican cause and to the aim of testimony, Lluesma Uranga’s writing exhibits throughout a characteristically transnational perspective, and tends to reflect a certain ambiguity with regard to identity. In his first work, the collection of poetry Palestra y Balcón (1945), the experience of the Spanish Civil War constitutes the central theme. Yet even in this work the use of different geographical and cultural settings is quite noteworthy, as is the expression of a broad, supranational standpoint, which situates itself in multiple spaces and views the effects of fascism and war from diverse perspectives. Subsequent works, such as the unpublished novel Arco de tiempo (1961) or the similarly unpublished dramatic work Olvido Rodríguez (1964), display the full development of these tendencies.

摘要

西班牙共和党人Estanislao Lluesma Uranga的文学作品虽然在今天已被广泛遗忘，但仍部分未出版，但它在1939年流亡阿根廷的西班牙共和党人的文学作品对证明书文学做出了宝贵的贡献，同时也是国际化写作的一个有趣例子。卢斯马·乌兰加（Lluesma Uranga）主要因其在医学领域的工作和科学性出版物而闻名，他在阿根廷流亡期间还写了几本诗歌，戏剧和小说。卢莱斯马·乌兰加（Lluesma Uranga）的作品与共和党的事业和证词的目标紧密相关，贯穿整个典型的跨国视角，并倾向于在身份认同方面反映出一定的歧义。在他的第一部作品中，诗集Palestra yBalcón（1945年），西班牙内战的经历构成了中心主题。然而，即使在这项工作中，使用不同的地理和文化环境也是非常值得注意的，这是一种广泛的超国家立场的表达，这种立场将自己置于多个空间，并从不同的角度观察法西斯主义和战争的影响。随后的作品，如未出版的小说《阿科·德·铁姆波》（1961年）或类似未出版的戏剧作品《奥尔维多·罗德里格斯》（1964年），充分展现了这些趋势。