ABSTRACT Collective recitations of the Qur’an are a traditional cultural and religious expression in Morocco that are praised and promoted by religious authorities. Among tamazight-speaking (Berber) populations of southern Morocco, a singular expression of this tradition, the taḥzzabt, attracts controversy and criticism. Whereas conventional collective recitations of the Qur’an are relatively static, and smooth, the taḥzzabt is energetic and rough, as well as loud, rising towards a perfectly synchronised crescendo. The high volume of the taḥzzabt is, in fact, an exuberant, collective approach to declaiming the sacred text. Taḥzzabt recitations are driven by a spirit of competition, celebration, and playfulness, and above all a desire to demonstrate flawless memorisation of the Qur’an. This article describes and contextualises this vocal practice, illustrating both its complexity and its ambivalence as a religious phenomenon and exploring the correlation between its aesthetic qualities and the anthropological factors that underlie it.

中文翻译：

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大喊古兰经：在 taḥzzabt – 集体背诵 – 在摩洛哥的繁荣和嬉戏

摘要 集体背诵古兰经是摩洛哥的一种传统文化和宗教表达方式，受到宗教当局的赞扬和推广。在摩洛哥南部讲塔马齐特语（柏柏尔）的人群中，这一传统的独特表达 taḥzzabt 引起了争议和批评。传统的《古兰经》集体背诵相对静止、流畅，而 taḥzzabt 则充满活力、粗犷、响亮，朝着完美同步的渐强上升。事实上，大量的 taḥzzabt 是宣扬神圣文本的一种旺盛的集体方式。Taḥzzabt 背诵是由一种竞争、庆祝和嬉戏的精神驱动的，最重要的是希望展示对古兰经的完美背诵。这篇文章描述和背景化了这种声乐练习，