ABSTRACT

This article focuses on the final 'chant' of Les Chants de Maldoror (1869) by the Comte de Lautréamont (Isidore Ducasse). In the enigmatic final scenes, Maldoror stalks and kills a young English man, Mervyn, in the streets of Paris. The murder is detailed in striking geographic detail, and Parisian monuments feature prominently in the young man's demise. Combining close readings with original maps of these final scenes, I compare the Paris of Lautréamont's literary imagination with the city's historic, cartographic reality to understand what the representation of the city says about the author's perception of fiction and his literary legacy.

摘要

本文着重介绍了最后的“咏的”马尔多罗之歌由伯爵洛特雷阿蒙（伊西多尔·杜卡斯）（1869）。在神秘莫测的最后一幕中，马尔多（Maldoror）在巴黎的街道上跟踪并杀死了一个年轻的英国男子默文（Mervyn）。这起谋杀案的醒目的地理细节被详细记录下来，巴黎的纪念碑在年轻人的逝世中占有重要地位。结合近距离阅读和这些最终场景的原始地图，我将洛特蒙特的巴黎文学想象力与这座城市的历史制图现实进行了比较，以了解这座城市的形象代表着作者对小说及其文学遗产的看法。