Abstract

This article proposes to explore a part of Gionian poetry that is still little known. From the point of view of ecocriticism, it unfolds from the hypothesis according to which concerns relating to degrowth and "deconsumption" emerge in Gionian narratives. By verifying this postulate which combines economic aspects, sociological factors and ecological questions, by calling to the rescue the theories of so-called happiness economists and those relating to ecosophy, the analysis reveals the mechanisms by which Giono imagines a society where the environment ceases to be brought into line, even if it means producing and consuming little but decently. For such a society, it is necessary to invent other criteria for measuring wealth. These new criteria give a clear place to the management and the conservation of nature promoted to a new order of (over) priority. As a result, they relegate the classic and ecocidal GDP (Gross Domestic Product) to the background to highlight the GDH ecophil (Gross Domestic Happiness). In a world threatened by various ecological challenges, literature then appears as a cosmos generating new values ​​capable of pulling society towards minimal consumerism.

摘要

本文建议探索尚不为人所知的部分犹太人ion歌。从生态批评的角度来看，它是从假说展开的，在假说中，有关ion农和“消减”的担忧出现在G徒的叙述中。通过验证结合经济方面，社会学因素和生态问题的这一假设，通过呼吁拯救所谓的幸福经济学家和与生态学有关的理论，该分析揭示了吉奥诺想象的一个机制，即社会不再环境即使这意味着少而体面的生产和消费，也要排成一线。对于这样的社会，有必要发明其他衡量财富的标准。这些新标准为管理和保护自然提供了明确的位置，从而促进了（优先）新的秩序。结果，他们将经典的，具有杀伤性的GDP（国内生产总值）放到了背景上，以突出GDH生态亲（国内生产总值）。在这个面临着各种生态挑战的世界中，文学便像宇宙一样出现，产生出新的价值，能够将社会拉向最低限度的消费主义。