Abstract This article explores the practice and theory of two aspects of film form in the work of Jacques Rivette in the late 1960s and early 1970s: montage and filmic space. Under examination will be the two films he made during this period, L’Amour fou and Out 1, as well as two round tables for Cahiers du cinéma in 1969, in which Rivette was a participant, on montage and filmic space respectively (the latter was only published for the first time in 2016). The article will argue that Rivette is one of the major figures to have both theorised these issues in the cinema, and to have tested them in practice in his own filmmaking.

中文翻译：

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雅克·里维特（Jacques Rivette）的《 L'Amour fou and Out 1》中的蒙太奇和电影空间问题

摘要本文探讨了雅克·里维特（Jacques Rivette）在1960年代末至1970年代初的电影形式的两个方面的实践和理论：蒙太奇和电影空间。将审查他在此期间制作的两部电影L'Amour fou和Out 1，以及1969年的电影电影基金会两场圆桌会议，里维特分别参加了蒙太奇和电影空间的展览（后者仅在2016年首次发布）。本文认为，里维特是在电影中对这些问题进行理论化并在他自己的电影制作中对其进行实践检验的主要人物之一。