ABSTRACT François Margolin and Lemine Ould Salem’s documentary Salafistes is without doubt one of the most controversial films about terrorism released in France in recent decades. The film’s central focus is the occupation of the northern Malian cities of Timbuktu and Gao by the jihadist group Ansar Dine, but Salafistes also mixes interviews with jihadis from groups such as Ansar Dine, Al-Qaeda of the Islamic Maghreb and ISIS members in Tunisia with jihadi propaganda videos, mostly from the Islamic State. Upon release, the film was subject to state restrictions on distribution, and it provoked strong reactions of both praise and censure in the national and international press. This article outlines the socio-political conditions surrounding the conflict in Mali and the work of filmmakers in the region, before considering some of the press responses that Salafistes evoked. This brief introduction is followed by an interview with Salafistes co-director François Margolin.

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批评家和争议：2016年在法国接待Salafistes，随后接受联合导演FrançoisMargolin的采访

摘要弗朗索瓦·马戈林（FrançoisMargolin）和勒米·乌尔德·塞勒姆（Lemine Ould Salem）的纪录片《萨拉夫派》毫无疑问是近几十年来在法国发行的有关恐怖主义的最具争议的电影之一。这部电影的主要焦点是圣战组织安萨尔·丁（Ansar Dine）对马里北部城市廷巴克图和加奥的占领，但萨拉夫派人也对安萨尔·丁，伊斯兰马格里布基地组织和突尼斯ISIS成员等组织的圣战进行了采访。圣战宣传视频，主要来自伊斯兰国。发行后，这部电影受到国家对发行的限制，在国内和国际媒体上引起了赞扬和谴责的强烈反响。本文概述了围绕马里冲突以及该地区电影工作者的工作的社会政治条件，在考虑萨拉夫主义者引起的一些媒体回应之前。简短介绍之后，将对Salafistes联合导演FrançoisMargolin进行采访。