ABSTRACT Although the concept of postmemory emerged from reflections on the representation and transmission of the Holocaust, the term has come to describe a group of works produced in other geographical contexts that invoke equally traumatic pasts. Over the last two decades in Spain, a considerable number of documentaries has been produced by the generation following those who were victims of repression under the Franco regime. These are works of documentarians who approximate a past they do not remember but that they nonetheless must interrogate in order to define themselves as political subjects. The following article reviews one of the earliest, the documentary Entre el dictador y yo (Between the Dictator and Me) (2005), a collective project undertaken on the occasion of the thirtieth anniversary of Franco’s death. I analyze this film through the lens of memory and postmemory studies of Spain’s traumatic past; this approach intends to offer a critical and comparative reading of the six shorts that make up the documentary, each directed by documentarians born during the transition to democracy. Largely subjective in nature, these documentaries present themselves as exercises of political, social, and family memory about Spain’s recent history, while at the same time they evidence the coexistence of multiple memories of the past.

中文翻译：

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在Entre el dictador y yo中记录继承的记忆：致敬，救赎和影响

摘要尽管后记忆的概念是从对大屠杀的表示和传播的反思中出现的，但该术语已经用来描述一组在其他地理环境中产生的同样具有创伤性的作品。在过去的二十年中，西班牙的世代相继录制了许多纪录片，这些纪录片是在佛朗哥政权期间遭到镇压的受害者。这些是纪录片作家的作品，近似他们不记得的过去，但是他们仍然必须审问以将自己定义为政治主体。下一篇文章回顾了最早的一部纪录片《独裁者与我之间》（2005年），这是在佛朗哥去世30周年之际开展的一项集体计划。我通过对西班牙创伤历史的记忆和记忆后的研究来分析这部电影。这种方法旨在对构成纪录片的六种短片进行批判性和比较性的解读，每种短片均由向民主过渡期间出生的纪录片导演指导。这些纪录片本质上是主观的，表现为对西班牙近期历史的政治，社会和家庭记忆活动，同时它们证明了过去的多种记忆并存。