The room is dimly lit. Seven directional lights out of a possible 20 are pointed at various oblique angles at the gray polished concrete floor. In two clusters at the center of the room sit 86 clear acrylic discs approximately five inches in diameterwith semi-circular brackets jutting out vertically, attaching two things. The first attachment is an electronic, motorized servo bracket. The second is a single dried stalk of tansy flower. In the absence of rain, sunlight, and soil, the stalks of tansy have lost their golden luster and have turned brown and brittle, some crumbling onto the floor. They are affixed to the servo/brackets with two white plastic halos, each with three pins, reminiscent of the apparatuses used to set and stabilize traumatic physical injuries. The two clusters are dispersed so that nomore than a foot of empty space exists between them. Connecting each unit is a serpentine network of colored electrical wire. The black, red, and yellow wires lead to densely connected transformers occupying the center of each circular cluster. The work is by American artist

中文翻译：

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风靡一时：新媒体画廊的David Bowen

房间光线昏暗。在灰色抛光混凝土地板上，可能有20个中的7个定向光以各种倾斜角度指向。在房间中心的两个簇中，放着86个透明的丙烯酸圆盘，直径约5英寸，带有半圆形的支架，垂直伸出，可固定两件东西。第一个附件是电子的电动伺服支架。第二个是艾菊花的单干茎。在没有雨水，阳光和土壤的情况下，艾菊的茎杆失去了金色的光泽，变成褐色和脆性，有些掉在了地上。它们用两个白色的塑料光环固定在伺服器/支架上，每个光环带有三个销钉，让人联想到用于设置和稳定外伤性身体伤害的设备。这两个簇是分散的，因此它们之间只有不到一英尺的空白空间。连接每个单元的是一条蛇形的彩色电线网络。黑色，红色和黄色导线导致密集连接的变压器占据每个圆形簇的中心。这幅作品是由美国艺术家创作的