ABSTRACT Adopting and adapting Giorgio Strehler’s notion of treating a great play as a series of nesting boxes, I intend to examine the contexts of Stanislavsky’s life and work as Matryoshka dolls, ever widening in significance. The first, most compact box is the biographical: the influence of family, education, theatrical experience, and cultural background on his artistic programme. It is set within the second: the historical, tracking his responses to the broader political and socio-economic events that bore in upon him. The third is the ideological: siting his ideas within the intellectual and aesthetic trends of his time. Finally, I hope to demonstrate how, become an institution in modern theatrical thought and practice, he has generated an all-encompassing context of his own.

中文翻译：

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康斯坦丁·斯坦尼斯拉夫斯基不断扩大的背景

摘要 采用并改编 Giorgio Strehler 将伟大的戏剧视为一系列嵌套盒子的概念，我打算研究斯坦尼斯拉夫斯基作为俄罗斯套娃的生活和工作的背景，其意义不断扩大。第一个最紧凑的盒子是传记：家庭、教育、戏剧经历和文化背景对他的艺术计划的影响。它设置在第二个：历史事件中，跟踪他对影响他的更广泛的政治和社会经济事件的反应。第三是意识形态：将他的想法置于他那个时代的知识和审美趋势中。最后，我希望展示他如何成为现代戏剧思想和实践的机构，并产生了自己的包罗万象的背景。