Directing with the Michael Chekhov Technique is a much welcome addition to exploring Chekhov’s methodologies as the examination of the work of Russian theatre practitioners continues to gather apace in the West. There are several works on his technique from an acting practitioner’s perspective, such as Lenard Petit’s The Michael Chekhov Handbook (2009) with Sinead Rushe’s Michael Chekhov’s Acting Technique (2019) about to join the stable, and as well as returning to translations of the exponent’s own To The Actor. Yet, rarely is anything written about using Chekhov techniques through a directorial lens explicitly and in such a progressive manner that could be applied to a whole rehearsal process.

中文翻译：

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马克·星期一用迈克尔·契诃夫技术导演

随着对俄罗斯戏剧从业者作品的审查在西方继续快速发展，使用迈克尔·契诃夫技术进行导演是探索契诃夫方法论的一个非常受欢迎的补充。从表演从业者的角度来看，有几部关于他的技巧的作品，例如 Lenard Petit 的 The Michael Chekhov Handbook（2009）与 Sinead Rushe 的 Michael Chekhov 的表演技巧（2019）即将加入稳定，以及返回指数的翻译自己给演员。然而，很少有关于通过导演镜头明确地以这种渐进的方式使用契诃夫技巧的文章，可以应用于整个排练过程。