ABSTRACT The article is concerned with three fictional works by the Soviet writer Masha Rol’nikaite: Tri vstrechi (Three Encounters, 1970), Privykni k svetu (Get Used to the Light, 1974), and Dolgoe molchanie (A Long Silence, 1981). It discusses how these texts fit within Soviet memorial culture of World War II. Rol’nikaite is used to illustrate the difficulties of commemorating the Holocaust in Soviet literature, and goes on to show how she confronted Soviet readers with topics such as the trauma of survival, the grey zone, and survivor’s guilt in post-war Jewish culture. It emphasizes the aesthetic strategies she used for integrating these topics into a discourse that was indifferent and sometimes hostile to them.

中文翻译：

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冲突的记忆，冲突的故事：玛莎·罗尔尼凯特的小说与苏联大屠杀纪念文化

摘要 本文涉及苏联作家 Masha Rol'nikaite 的三部虚构作品：Tri vstrechi（三次相遇，1970 年）、Privykni k svetu（习惯于光明，1974 年）和 Dolgoe molchanie（长期沉默，1981 年） . 它讨论了这些文本如何适应二战的苏联纪念文化。Rol'nikaite 被用来说明苏联文学中纪念大屠杀的困难，并继续展示她如何面对苏联读者的话题，例如生存的创伤、灰色地带和战后犹太文化中幸存者的内疚。它强调了她用于将这些主题整合到一种对它们漠不关心甚至有时敌对的话语中的美学策略。