One of the outstanding poetic achievements of the French Counter-Reformation is the sonnet sequence of Jean de La Ceppède (1550-1623), the full title of which is Les Théorèmes sur le sacré mystère de notre Rédemption, and which appeared in a form whose combination of intense formal focus and broad narrative development is particularly appropriate to the subject. The collection, published in two stages (dating from 1613 and 1622) is at once erudite, physical, penitential and precise, under which broad headings it is discussed in the first part of this article, which concentrates on the detailed attention accorded to the specifics of Christ’s suffering body before and during the Crucifixion, often in a strikingly painterly fashion. Two other features stand out: first, the existence of frequently very extensive Annotations, in which the whole panoply of patristic and later erudition is applied to features of the episodes depicted; and, then, the potential for their evocation to serve as meditational and penitential stimuli for the poet persona and, through him, for the reader. The second part of the article turns to the status of the wounds of Christ in the post-Resurrection appearances, as a means of restoring to the risen body some of the previous physical beauty implicitly evoked in the earlier pieces.

中文翻译：

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萨尔瓦多·弗尔里特之苦：让·德拉塞普德诗歌中的受难基督

法国反改革的杰出诗意成就之一是让·德·塞皮德（Jean de LaCeppède，1550-1623）的十四行诗序列，其全称是《神圣的圣母》，并以下列形式出现：强烈的形式焦点和广泛的叙事发展相结合特别适合该主题。该收藏集分两个阶段（始于1613年和1622年）出版，它既博学，物理、,悔和精确，在本文的第一部分将以广泛的标题进行讨论，集中于对细节的关注。经常以惊人的绘画方式描绘基督在受难前后的受难身体。突出两个其他功能：首先，存在非常广泛的注释，其中，爱国主义和后来的博学的全貌适用于所描述情节的特征；然后，激发他们的潜力就可以为诗人性格以及通过他为读者提供冥想和冥想刺激。文章的第二部分转向复活后出现时基督受伤的状况，作为一种方法使恢复的身体恢复先前作品中隐含的一些先前的身体美。