ABSTRACT This article aims to follow in the footsteps of French ecocriticism, while creating a double shift in its point of view: firstly, by questioning the work of the romantic writer Gérard de Nerval, who has never truly been studied through the prism of ecopoetry. Secondly, by proposing a resolutely transdisciplinary analysis at the crossroads of literature and philosophy. This study highlights the modernity of Nerval’s metaphysical conceptions of Nature but also how the poem ‘Vers dorés’ may become the manifesto of a poetic ecology through its performativity and its mobilisation of the figure of ruin.

中文翻译：

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Nerval的《 Versdorés》中诗歌生态学的浪漫基础

摘要本文旨在追随法国生态批评的脚步，同时引起双重观点转变：首先，通过质疑浪漫主义作家杰拉德·德内瓦尔的作品，他从未真正通过生态诗学的角度对其进行过研究。其次，通过在文学和哲学的十字路口提出坚决的跨学科分析。这项研究不仅强调了Nerval对自然的形而上学概念的现代性，而且强调了诗歌“ Versdorés”如何通过其表现力和对废墟人物的动员而成为诗歌生态学的宣言。