ABSTRACT This article analyses the notion of ‘impenetrability’ in works by Jules Barbey d’Aurevilly, Remy de Gourmont, and Rachilde, concentrating on their portrayal of ambiguous and incomprehensible demi-vierges. In Decadent literature, the desire for knowledge and the desire for sexual ‘possession’ are inextricably intertwined, and the Decadent ‘ideal’ of impenetrability is based on a paradoxical logic of aesthetic failure and sexual frustration. The figures of the virgin, the dandy, and the femme fatale constitute particularly productive sources of Decadent literary reflection, in which reformulations of earlier literary models are channelled into an aesthetic of hyperbole, parody, and meta-literary irony.

中文翻译：

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欲望与半边缘：Dec废小说中的坚不可摧的理想

摘要本文分析了朱尔斯·巴贝·德·奥雷维尔利，雷米·德·古蒙和拉伊尔德的作品中的“不可渗透性”概念，着眼于他们对歧义和难以理解的半衰落者的刻画。在Dec废的文学作品中，对知识的渴望与对性的“占有”的渴望密不可分，而对a废的“理想”的“理想”则基于审美失败和性挫折的悖论逻辑。处女，花花公子和蛇蝎美人的形象特别构成了a废文学反思的富有成效的源泉，在其中，早期文学模型的重新表述被引入夸张，模仿和元文学讽刺的美学之中。