ABSTRACT Vigny’s major poem, ‘La maison du berger’ (first published in 1844), has long been seen as a celebration of the provinces and a denunciation of the alien setting of the modern city. But his relationship with the characteristic spaces of modernity, including land that he himself owned in the countryside, is more complex. Here, we map how Vigny’s shifting assessment of boundaries, including those marked out by stones placed in the ground, can shed light on his unsettling reappraisal of the the human relationship with nature and in turn on the emergence of an acute, if troubled, ecological awareness.

中文翻译：

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对自然？维尼的石头

摘要维尼的主要诗作《 La maison du berger》（1844年首次出版），长期以来一直被视为对各省的庆祝活动，并谴责了现代城市的外星环境。但是他与现代性特征空间（包括他本人在农村拥有的土地）之间的关系更加复杂。在这里，我们绘制了维尼对边界的不断变化的评估方法，包括那些被放置在地面上的石头划定的边界，如何揭示他对人类与自然关系的令人不安的重新评估，以及反过来出现了一种急性的，如果遇到麻烦的生态环境意识。