ABSTRACT Sarah Bernhardt came to represent contradictory beliefs about the moral state of French society during and after the Franco-Prussian war (1870–1871) as her celebrity uniquely situated her to encapsulate debates around women’s bodies and nationalism after what contemporaries saw as France’s heroic resistance and humiliating defeat. I read Bernhardt’s memoirs, Ma double vie (1907), alongside La Saignée, Henry Céard’s contribution to the 1880 publication Les Soirées de Medan, arguing that famous women like Bernhardt were seen at once as maternal figures and treacherous prostitutes, community pillars and meddling amateur diplomats.

中文翻译：

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莎拉·伯恩哈特（Sarah Bernhardt）的尸体：战争时期的女性成名回忆录和亨利·塞德（HenryCéard）的《香格里拉》

摘要莎拉·伯恩哈特（Sarah Bernhardt）代表法国和普鲁士战争（1870–1871）期间及之后关于法国社会道德状态的矛盾信念，因为她的名人独特地将她封装在围绕女性身体和民族主义的辩论之后，同时代人将其视为法国的英勇抵抗和屈辱的失败。我读过伯恩哈德的回忆录《马·杜·维埃（Ma double vie）》（1907年）和亨利·塞德（LaSaignée）和亨利·塞德（HenryCéard）对1880年出版的《 LesSoiréesde Medan》的贡献，他认为像伯恩哈特（Bernhardt）这样的著名女性立刻被视为孕产妇和奸淫的妓女，社区支柱和业余爱好者。外交官。