ABSTRACT The way architects observe and interpret space influences the way they design. A conscious practice of observation of space through movement aims at extending the understanding of space from static and singular to transitory and temporal. Through the use of the moving image space can be captured in time, enabling the documentation of its lived experience and addressing qualities of subjectivity and temporality. Aimed at creating links between the built and the lived environment, the moving image is proposed as a tool that allows for the exploration of duration as another dimension of space. The subject is approached through a design-led project From Naples to Capri, a video installation that explores movement as another practice of architecture, and through theoretical investigations around issues of spatial performativity and Bergson’s understanding of duration. Filming is explored as a spatial practice that can potentially shift the role of the architect from a distant observer to an active participant of space, a performer who derives knowledge from the experience of place.

中文翻译：

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持续时间作为空间的另一种衡量手段：从那不勒斯到卡普里岛的旅程

摘要建筑师观察和解释空间的方式会影响他们的设计方式。有意识地通过运动观察空间的实践旨在将对空间的理解从静态和单数扩展到瞬时和时间。通过使用运动图像空间可以及时捕获，从而可以记录其真实经历并解决主观性和时间性。为了在建筑环境和居住环境之间建立联系，运动图像被提议作为一种工具，可以探索持续时间作为空间的另一个维度。该主题通过一个由设计主导的项目（从那不勒斯到卡普里岛）进行了研究，该视频装置探索运动作为建筑的另一种实践，并通过有关空间性能问题和Bergson对持续时间的理解的理论研究。拍摄被认为是一种空间实践，可以潜在地将建筑师的角色从遥远的观察者转变为活跃的空间参与者，而表演者可以从场所的经验中获取知识。