ABSTRACT Generative processes have found broad application in the design of innovative musical forms but it is only comparatively recently through the affordances of modern digital technologies that composers have been able to explore integrating such processes in the real-time creation of musical scores. This paper explores some of these affordances as well as a variety of approaches to some of the key aesthetic and compositional challenges through the analysis of recent works by composers Georg Hajdu, Ryan Ross Smith, Jason Freeman, David Kim-Boyle, and Arne Eigenfeldt.

中文翻译：

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具有生成分数的构图策略

摘要生成过程已在创新音乐形式的设计中得到广泛应用，但是直到最近，由于现代数字技术的出现，作曲家才能够探索将这些过程集成到乐谱的实时创作中。本文通过分析作曲家Georg Hajdu，Ryan Ross Smith，Jason Freeman，David Kim-Boyle和Arne Eigenfeldt的近期作品，探讨了其中的一些能力以及各种方法，以应对一些主要的美学和构图挑战。