ABSTRACT This paper describes a collection of data-driven aesthetic explorations that investigate the concept of ‘cycling as art practice’ made possible through the use of self-tracking tools while journeying by bicycle into the landscape. The explorations draw upon the philosophy of the ‘Walking Artists’ and the concept of ‘the dematerialization of the art object’ as counterpoints to the Quantified Self Community, which aims to visualize previously invisible aspects of our daily lives for the purposes of positive self-monitoring. In doing so, it begins to draw attention aesthetically, and philosophically, to the way in which representations of our experiences, particularly of landscape, can be formed through the use of such technologies for generative art purposes.

中文翻译：

---

利用自跟踪自行车数据制作艺术品

摘要本文介绍了一系列以数据为依据的美学探索，它们探索了“骑自行车作为艺术实践”的概念，这种概念是通过在骑自行车旅行到风景中时使用自我跟踪工具而实现的。这些探索借鉴了“行走的艺术家”的哲学和“艺术品的非物质化”的概念，以此作为量化自我社区的对立面。量化自我社区的目的是形象化我们日常生活中以前看不见的方面，从而实现积极的自我意识。监控。通过这种方式，它开始在美学和哲学上引起人们的注意，即通过将这种技术用于生成艺术的目的，可以形成我们的经验，尤其是风景的表征的方式。