ABSTRACT This paper develops ideas around cycling as art practice. The questions at the heart of it revolve around how new data technologies enable us to represent such experiences as artworks. Recent research in neuroscience has begun to establish the ways in which modes of perception are processed in the brain. Related research suggests that Synaesthesia may be caused by a genetic mutation that results in a ‘cross wiring’ of these modes of perception. Within the arts there is a long history of exploration around synaesthesia, ideas that are becoming relevant again particularly in relation to the growth in personal data. Representing sensations and transferring them from one mode to another offers a way to handle some of this data and potentially say new things about our experiences. The author explores these ideas through artworks made using data from cycling to investigate the visualization of this experience.

中文翻译：

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通感和自行车数据艺术：以自粘性自行车数据的交叉模式表示

摘要本文围绕自行车作为一种艺术实践提出了一些想法。它的核心问题围绕新数据技术如何使我们能够代表艺术品这样的体验。神经科学方面的最新研究已开始建立在大脑中处理感知模式的方式。相关研究表明，通感可能是由基因突变导致的，这些基因突变导致这些感知模式的“交叉连接”。在艺术界，关于联觉的探索已有很长的历史，这些想法再次变得重要起来，特别是与个人数据的增长有关。代表感觉并将其从一种模式转移到另一种模式提供了一种处理某些数据并可能对我们的体验发表新观点的方法。