Abstract This essay explores the possibilities afforded the viewer through the creation of a virtual visual and kinesthetic arts atlas, along the lines of the one conceived by the German art historian Aby Warburg in 1929. Such an atlas provides dance scholars with the tools to enhance their perceptions of dance and other visual art and video works through applying a kaleidoscopic mapping strategy. I describe my creation of a visual and kinesthetic atlas, paying special attention to detecting subtexts that may be read across a range of kinetic metaphors, symbols, and motifs in selected works by Ohad Naharin, Sharon Eyal and Gai Behar, Roy Assaf, Noa Zuk, and Ohad Fishof.

中文翻译：

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人间欢乐的无限花园：感知舞蹈的视觉和动觉模型

摘要 本文按照德国艺术史学家 Aby Warburg 在 1929 年构想的路线，探索了通过创建虚拟视觉和动觉艺术图集为观众提供的可能性。这样的图集为舞蹈学者提供了增强他们的能力的工具。通过应用万花筒映射策略对舞蹈和其他视觉艺术和视频作品的看法。我描述了我对视觉和动觉图集的创作，特别注意检测可能在 Ohad Naharin、Sharon Eyal 和 Gai Behar、Roy Assaf、Noa Zuk 的精选作品中通过一系列动态隐喻、符号和主题阅读的潜台词，和奥哈德 Fishof。